Study2020Open access

Anterior cingulate and medial prefrontal cortex response to systematically controlled tonal dissonance during passive music listening

Bravo F, Cross I, Hopkins C, Gonzalez N, Docampo J, Bruno C, Stamatakis EA

Human brain mapping · 17 citations

How it was studied

Design
In vitro/mechanistic study (classified by our AI screen)
Studied in
People
Main outcome
Health markers and function

Who paid for it

Funding
Independent funding
Nonprofit
Society for Education, Music and Psychology Research
Nonprofit
Andrea von Braun Stiftung
Government
Deutsche Forschungsgemeinschaft
University or hospital
Technische Universität Dresden
University or hospital
Wolfson College, University of Cambridge

Based on 5 listed funder(s) and full-text disclosure statement.

Publication

Published
2019-09-11 · Hum Brain Mapp · vol. 41 · issue 1 · pp. 46–66
Publisher
Wiley
Cited
26 citations · more than 69% of similar papers · 0.8× the field average
References
156 works
Access
Open access (hybrid journal) · CC-BY-NC
Research areas
Neuroscience and Music Perception · Multisensory perception and integration · Neural dynamics and brain function
Keywords
Cognitive dissonance, Psychology, Anterior cingulate cortex, Active listening, Prefrontal cortex, Neuroscience, Cognitive psychology, Limbic lobe, Dorsolateral prefrontal cortex, Audiology, Working memory, Cognition, Communication, Medicine, Social psychology
MeSH
gyrus cinguli, prefrontal cortex, auditory cortex, humans, magnetic resonance imaging, brain mapping, emotions, auditory perception, music, adult, female, male, young adult, connectome

7 authors

From GB, DE, US

  • Fernando Silva Bravo · correspondingUniversity of Cambridge; Cambridge Cognition (United Kingdom); Technische Universität Dresden
  • Ian R.M. CrossUniversity of Cambridge
  • Christopher HopkinsIowa State University
  • Nadia Gonzalez
  • Jorge Docampo
  • Claudio Bruno

Abstract

Several studies have attempted to investigate how the brain codes emotional value when processing music of contrasting levels of dissonance; however, the lack of control over specific musical structural characteristics (i.e., dynamics, rhythm, melodic contour or instrumental timbre), which are known to affect perceived dissonance, rendered results difficult to interpret. To account for this, we used functional imaging with an optimized control of the musical structure to obtain a finer characterization of brain activity in response to tonal dissonance. Behavioral findings supported previous evidence for an association between increased dissonance and negative emotion. Results further demonstrated that the manipulation of tonal dissonance through systematically controlled changes in interval content elicited contrasting valence ratings but no significant effects on either arousal or potency. Neuroscientific findings showed an engagement of the left medial prefrontal cortex (mPFC) and the left rostral anterior cingulate cortex (ACC) while participants listened to dissonant compared to consonant music, converging with studies that have proposed a core role of these regions during conflict monitoring (detection and resolution), and in the appraisal of negative emotion and fear-related information. Both the left and right primary auditory cortices showed stronger functional connectivity with the ACC during the dissonant portion of the task, implying a demand for greater information integration when processing negatively valenced musical stimuli. This study demonstrated that the systematic control of musical dissonance could be applied to isolate valence from the arousal dimension, facilitating a novel access to the neural representation of negative emotion.

Abstract via Europe PMC. Copyright remains with the authors or publisher (CC BY-NC).

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